I finally done it

I'm on myspace.com, yeah I did it. I'm on it for the networking angle, so if you're a spammer/pornsite/whore/pimp/webcam slut/Mel Gibson, don't make me your "friend."

Okay, that Mel comment may have been uncalled for. Maybe not. I've always liked Mel, but it's hard to at this point. After Passion he seemed to sorta lose his mind. And Apoca-lame-o just isn't doing it for me. I mean, dude, your life is handed to you on a gold plate (he's loaded, in other words) the least he could do is NOT fuck it up.

And no, Dr. Phil, there was more than alcohol going on with Mel. You don't just start throwing around racial slurs 'cause you're drunk, sure, I'd buy him being an asshole and calling the cops "dicks" or whatever, but not lobbying out racial slurs (while slurring, no doubt). Plus I've seen footage of his ultra-racist Dad rambling on about how the Holocaust never happened, blah, blah, blah, so I'm sure this stuff was in Mel's head for quite some time.

Just got back from Virginia Beach, we were there a week. Good times, hit the ocean a lot with the fam, the kiddies had a blast checking out the dolphins that seemed to swim by constantly. A bit trashy though tourist-wise, I actually prefer the Outer Banks (Kitty Hawk) that we went to last Summer, but overall stilll a good time, and much better than most Jersey Shores (although Cape May rocks pretty hard).

So, check me out on myspace, add me as a friend or whatever and I'll do the same: http://www.myspace.com/pjrodio

'Sup!

Updates - Finishing my LAST Food Fight re-write tonight and will e-mail it over to my manager. It kicks a whole lot of ass. Okay, it might not be the last re-write EVER, but it's the last one for now (the re-writes were based on my managers notes, now it's in amazing shape!).

And in about 5 weeks, we hope to go out with it. Why 5 weeks? 'Cause it's Summer, and he wants to take it out when it people aren't on their vacations, etc, which will be after Labor Day. Useless to send out a script if 50% of the people you want to read it ain't there!

Cricket Hill (pilot) is off to the director now, he's going to check out Acts 2 & 3 and after I get his notes, we'll lock down those acts. I got some good stuff in there, I'm pretty happy with it.

After all the Snakes On A Plane hype, how much do you think it'll actually make? I'm thinking not blockbuster money, more like the gross of a solid horror flick that opens semi-big then drops like a stone. Like, it'll make 20-25 in it's opening weekend, then sink to 10 the following and by the time it's out of theaters, maybe it'll clear 50-60. I could be wrong, but I doubt it. Besides the fun, trashy title, it looks like a pretty stupid movie that will fill it's opening weekend audience with college frat boys and internet hypesters (this is no 4 quadrant movie, like Pirates 2), then drop.

Two movies have truly caught my eyeballs, both coming in November. The first one is Stranger Than Fiction, which I've heard about for quite some time. Looks wonderful. And then, there's The Fountain. HOLY SHIT!! The trailer for that is simply amazing. If the movie's half as good, well, it'll be a pretty wild, beautiful ride. clcik on the movie titles below and you will go to joblo.com, both links have links to the trailers. Awesome stuff.

Kick Ass!

I was pooping today and thought of a good post. What movies are cool, kick-ass movies? Then I got to thinking and made a small list. Please add to it. "Kick-ass" can mean a few different things. The way it was shot, it's "Fuck you" attitude, the characters, etc. Kick-ass movies might not always be great movies, but you'll watch them when they're on. Why? 'Cause the kick ass!

Some examples:

The Hitcher - This movie grabs you by the balls and yanks. Good plot twists, and surprisngly unpredictable.

Near Dark - Kicks the shit out of The Lost Boys.

Aliens - James Cameron owns this. He took the series to a whole other level. It's a shame David Fincher came in and pissed all over it with Alien 3, but what can you do.

Run Lola Run - See it.

Reservoir Dogs - Pulp Fction doesn't kick ass in my book, although it's a superior movie to Dogs. But this movie shambles along, quickly, to it's awesome, bloody finale. And no, Kill Bill doesn't kick ass in my book because I didn't like Kill Bill at all. Although I did like...

From Dusk Til Dawn, written by QT and directed by Robert Rodriguez. It's a throwaway movie, but it has some balls.

The Bourne Supremacy - Bourne literally kicks ass, but the filmmaking here is also notable. Awesome car chase.

The Thing - "Maybe we shouldn't." Great characters. Perfect ending.

Danny Boyle's Trainspotting & 28 Days Later. Amazing stuff. But NOT The Beach, although that could have been a great movie. It wasn't.

Jaws - "Show me the way to go home........"

70s thrillers - The French Connection, Marathon Man, Three Days of the Condor

Dawn Of The Dead - This movie pulled me right in from it's amazing opening sequence to its tragic finale. Can't wait to see what he does with 300, coming in 2007.

Your turn - what kicks your ass?

Best & Worst - Updated!

Okay, think about your favorite directors, or at least some well-known established directors, and give me your favorite movies from them, and then your least favorites. C'mon, it'll be fun.

Here's some of mine............

Marty:
My Fave: Mean Streets & Goodfellas
Least Fave: The Aviator
Flawed but underrated - Bringing Out The Dead

Spike Lee
My Fave: 25th Hour, Crooklyn, Clockers
Least Fave: She Hate Me, Mo Better Blues
Underrated - Jungle Fever, Overrated - Do the Right Thing

Stevie Spielberg
Fave: Jaws, Close Encounters, Private Ryan, Empire Of The Sun, Raiders
Least Fave - AI, 1941
Overrated - The color Purple
Underrated - Munich

Steven Soderbergh
Fave - Out Of Sight, King of the Hill. The Limey, Traffic
Least - Solaris

Coens:
Fave: Miller's X-ing, Barton Fink, Raising Arizona, O Brother, Fargo
Least Fave - Intolerable Cruelty (had some moments though)
Underrated: Hudsucker, The Ladykillers
Overrated: Blood Simple

Sam Raimi:
Fave - A Simple Plan, Evil Dead
Least Fave: Darkman

Brian DePalma
Fave: The Untouchables, Casualties Of War, Carlito's Way
Least Fave: Dressed To Kill, Mission To Mars, Raising Cain
Underrated: Blow Out

Cronenberg
Fave: The Fly
Least Fave: Naked Lunch
Overrated: History Of Violence

Peter Weir:
Fave: Gallipoli, Fearless, Dead Poets, Truman Show, The Last Wave, Witness, The Mosquito Coast
Least Fave: Green Card (it does have moments though), The Year Of Living Dangerously.

Woody Allen:
Fave - Manhattan, Annie Hall, Sleeper
Least Fave - Match Point, Celebrity, Everyone Says I Love You

Ron Howard:
Fave - Gung Ho, Willow, Apollo 13, Night Shift, Cocoon, Parenthood
Least - The Missing
Overrated - A Beautiful Mind

John Hughes
Fave - Planes Trains, 16 Candles, The Breakfast Club, She's Having A Baby
Least Fave: Curly Sue
Underrated: Christmas Vacation

John Carpenter
Fave - The Thing, Escape From NY, Halloween
Least Fave - Escape From LA, Vampires
Underrated - They Live

Clint Eastwood
Fave - Unforgiven
Least - Anything with a monkey, Garden/Good/Evil
Underrated - A Perfect World, Mystic River

Georgie Lucas
Fave - Star Wars, American Graffitti
Least Fave - Eps 1, 2, 3

Francis Ford Coppola
Fave - Apocalypse Now, The Outsiders, The Conversation, Godfather 1 & 2
Least Fave - Jack, The Rainmaker, Rumble Fish, Godfather 3

YOUR TURN!!!!

Cool Posters

Spidey 3 & Bobby. By the way, look at that Bobby cast (directed by Emilio Estevez).

BlueCat Feedback 2

I got my Cricket Hill feedback from BlueCat.

What did you like about this script?

The author has a sly sense of humor that is incorporated into the script. One example: when Bean and Billy are at the top of Dead Man’s Hill, Bean complains that people have died there. “Tall tales,” counters Billy, until they hear a kid scream in the distance. “Mostly tall tales,” he amends. Another moment: when Grandpa puts vodka in everyone’s juice. Or when a clueless co-worker hurts herself and Oliver asks how she is. He gets the offhand reply, “Her hand was on fire.” To which he asks, not really caring either way, “You put it out.” The piece de resistance is the revelation-filled family dinner. Everyone confesses all from infidelities to homosexuality to incest to adoption, and it is all taken in stride as only things are in such a offbeat comedy.

This is an oddball family, but one where every character is distinct and interesting. Our hero Billy is, of course, the straight man in a family of crazies. The deaf and senile Grandpa. The ditzy daughter Anna. The sex and toaster obsessed father who lost his job and hasn’t worked up the courage to tell anyone. The teacher mom who deals with vomit and blood on a daily basis and doesn’t remember the names of her students. The former golden boy football star and valedictorian turned hippie Dave with his pregnant, older girlfriend. The only semi-sane brother Oliver who works at a burger joint with complete idiots and lusts after his sister. The two-time high school failure and closeted gay John. This script is reminiscent of Arrested Development. It has the same sort of offbeat collection of characters but ones who are likeable. In particular, Billy makes a good narrator, one who fits into his strange family but is also apart from it enough to be an impartial observer.

I often dislike voiceovers. There are usually employed as a cheap device to fill in holes the author neglected. In this case, Billy’s voiceover works. Especially in the opening sequence, he introduces us to all the family members and supporting characters with a brisk ease and dry wit that makes them memorable. The device with Billy writing a book about his family (a school project he simply couldn’t finish) makes sense as well. The author has crafted a compelling, smoothly-paced story. At 101 pages, it never grows tired or sluggish. The dialogue is witty and flows naturally. The description is enough to give us a clear mental image without getting bogged down in endless detail. Overall, this is a charming, humorous script with strong characters.

What do you think needs work?

For a relatively smart comedy, there is an over-reliance on low-grade toilet humor. Is it necessary to have quite so many fart/bathroom/etc. jokes? The humor plays to two completely different audiences. The smart, offbeat humor will appeal to the same fans of shows like The Simpsons or Arrested Development. The bathroom humor is going to attract teenage boys and not many others. I think it would be a mistake to turn off the first set of viewers with the inclusion of too much toilet humor.While most of the characters made a strong impression, a few didn’t ring true. In particular, Brooke comes across as a high school vixen, not at all subtle, and it seems silly. Why does she like Billy anyway? Teenage girls usually pursue older men, not younger. Dating a younger guy would be social suicide, and the fact that he’s your best friend’s brother is even worse. Plus, how many high school girls are so sexually advanced and blatant? This character seemed silly and over-the-top. Chad Gross was your typical gross teenage bully. His character, while stereotypical, is fine. My question was what does Daphne see in him? She’s into Billy, Billy’s into her. But since he hasn’t gotten his act together and asked her out, she’s dating Chad. Chad is nothing like Billy. If she likes Billy, she’s unlikely to like Chad and vice versa. For a smart-seeming girl, she looks idiotic to hook up with this guy.

A small problem character-wise is that a few of the family members seem different once we get into the story than they do in Billy’s opening introduction. Anna is presented as an empty-headed, ditzy cheerleader, but after the opening sequence, she never seems quite so air-headed. John is shown as a high school failure (on his second or third go-around of senior year), flicking boogers at others for amusement. Basically, your typical stupid teenage boy. Yet, he actually appears to be more sensitive in the bulk of the script than the opener gives him credit for. In fact, he turns out to be gay, something that, based on the opening introduction, is completely unexpected and out of thin air.

This week, I'm busy locking down acts 2 & 3 of the Cricket Hill pilot. It's still a blast to write after all this time (I originally wrote in in 2003) and now that we're creating a TV show out of it, it's really fun to open it up and expand the characters and their situations.

I'd recommended BlueCat when it rolls around next year, as you can see it offers some decent feedback, plus the entry fee is sweet ($35).

Cool Movies Coming Soon

Both The Fountain and The Prestige look amazing. Can't wait to see both.

Pirates 2 just blew past 250+ million, of course, in record time. Depending on how it holds up against Boredom In the Water, Monster House, Clerks 2, and Super Ex, it should be past 300 million soon. Will it hit 400? We'll see how it holds up.

Meanwhile Superman might (MIGHT) finish with 200 million. I swore that would have made more $$. Cars in still cruising with 220 million and counting.

Chow Yun Fat has been cast in Pirates 3 as a pirate captain, which I think will be pretty damn cool.

The Worst!!!

So, what's the WORST movie you EVER saw? After checking out some reponses over at Scott The Reader's latest blog, I was inspired to think back on the biggest pieces of shit I ever wasted my movie-going time on. Some lowlights.....

Firebirds - Nicholas Cage, Sean Young, Tommy Lee Jones, and some Apache helicopters. Dreadful.

A Kiss Before Dying - Sean Young (See a pattern?). Terrible, terrible.

Meatballs 4 - Featuring Corey Feldman and that levitating alien freak, what a great way to take a huge shit all over the original movie (which I liked). Parts 2 & 3 (featuring a young, awkward, Patrick Dempsey) were bad enough, but this cockscab of a movie brings it to a whole new sub-level of bad.

Mac & Me - Diarrhea on film.

Darkman - I may have liked it when it first came out years ago (1991?),and if that's the case I was young and stupid. I saw it last year and what a horribly made/acted/directed/written/shot piece of garbage.

Alien 3 - I still hate this movie. I don't care if ol' Fincher had to re-cut or if the movie was taken away from him, etc, etc. The plot sucked, and it took the story from the 1st two AMAZING FILMS and flushed it all down the toilet. I actually enjoyed Alien 4 much more than this crap.

Alien Vs. Predator - Stupid. Please don't make another. Too late? dammit!

Vertical Limit - Okay, your sister is trapped on a mountain so you piss and moan until you can assemble a team of climbers to help you go get her, and you get MOST of them killed in the process. Nice going, douche. when I saw this in the theater I also noticed the BOOM POLE or an actual film crew member in 80% of the shots, and I'm not lying.

Superman 4 - Quest 4 Peace - Christ Almighty. The battle with Blonde Man was lame enough, but did they notice that a HUMAN BEING was brought up into SPACE and was just floating there, not dying???

The Village - I think M.Night is an awesome director, I just wish he'd stop writing.

Catwoman - Meeooowch! I don't mind watching Halle Berry prance around in tight leather, but have her fight a villain better than - A cosmetics empire?!?!?! Directed by Pitof. 'Nuff said.

Wing Commander - Dumb as a bag of dead monkeys.

A Lot Like Love - Actually harmful to watch.

Chicago - God, how I despised this.

High Tension - Poor taste, and crappy, too.

Shark boy & Lava Girl - I like Robert Rodriguez but this was simply a crap movie.

Iron Eagle 3: Aces - Poor Louis Gossett, Jr.

Most John Waters movies. No, wait, all of them.

That's all I can come up with off the top of my head. I'm sure I'll think of more. What are some of yours??

POTC!

Well, it's landing at 132 million.

Saw the movie last night - Loved it. Great stuff happening in there. The Perfect Summer movie, and a perfect compliment to the 1st film, and I eagerly await to see what they come up with in the final installment, "At World's End."

Orlando Bloom has some nice stuff in here, his scenes with Stellan Skaarsgard are great, and this movie fleshes out some stuff we've heard about in the first movie. I like Bloom, shame he got stuck in the clunker, Elizabethtown, but I don't see that as his fault, that was more of Cameron Crowe's blunder.

Keira, sweet as always, and her character's actions are interesting to see.

Loved Bill Nighy as Davey Jones. Wow. Incredible work by him as well as the F/X team.

Depp - What can you say. Still owns this role, and his I did like what they did with his character here.

Gore Verbinski should get a special commendation for steering this ship, he's got so much well-choreographed action sequences going on at the same time throughout, it was a delight to see. Also, if you think he can only do big Summer flicks, check out The Weather Man, which he directed last year.

Was it a perfect movie? No, but it was fun as hell. Better than the 1st? I'd say it's a good companion piece. It's what a Summer movie should be.

Also, stick around through the end credits, there's a little something at the end that's quite funny.

Pirate$ Update

Pirates grossed 54.9 million.....on Friday. That killed the previous 1 day record holder (Sith) and they're estimating it will rake in 135-145 for the weekend (old record is Spidey 1 at 114.8 million).

Feedback'd

Okay, here is my feedback for The BlueCat Screenplay competition for my script, THE MONEY SHOT, followed by brief comments for CRICKET HILL, which I entered into Writers On The Storm (which was before Prospect Pictures picked it (and me) up to turn it into a TV series).

The following is from Bluecat, regarding The Money Shot (originally written in 2000). In a nutshell - college student loses financial aid & tries to make a porn:

WHAT DID YOU LIKE ABOUT THIS SCRIPT?

It’s definitely got some funny moments - there’s some good character based humor, as well as some laugh out loud slapstick scenarios. The premise of a group of film students shooting a clandestine porn film on the side isn’t particularly original, but it is handled with a genuine affection for its subject matter, and enough fresh angles that the overall script didn’t feel as though it had all been done before.

The characters were diverse and most of the major ones had some interesting levels to them. The relationship and interaction between Kenny and his friends was well presented and intriguing. The dialogue and tone was consistent and for the most part well matched to the characters, although there were some issues. (See part two.) The characters didn’t all sound the same - a frequent problem in many scripts. Boston’s snappy one-liners were funny, and the excruciating dialogue of Kenny’s parents in front of Megan was perfectly over-the-top. The action and description was clear, well written, and visual; and the story was easy to follow without any confusing or distracting scenes. There was a good balance between physical humor and dialogue/character humor, and some funny, original scenarios, usually plausibly constructed. The “Adam and Eve” scene on page 77 was very funny - although I think it could’ve been pushed even further. In general, I didn’t feel the story line lagged or slowed down at any point, and the tension of how long they could get away with their film-making unnoticed was nicely sustained. The opening scene was great, and a nice way to introduce the varied characters, as well as set the tone and subject matter of the script. The bracketing of Kenny’s voiceover in the opening and closing scenes works well thematically to tie the script together, and offers a nicely unexpected heartwarming feeling about the joys of sitting back with a group of friends and watching midget porn. Who would’ve thought?

WHAT DO YOU THINK NEEDS WORK?
There are some character inconsistencies. Grace is set up as an uptight prude - we meet her as she’s organizing a protest against the local go-go bar. When we find her smoking pot on page 82, it’s out of character. We can believe her and Gabriel’s tryst in the gym - the uptight prude turns out to be suppressing desires that have got the better of her - but her getting stoned just didn’t seem believable. The Dean’s dialogue doesn’t read realistically at many points - even considering that his character is preachy and didactic.

There might be a benefit to having an actor (or friend) read the lines aloud, and listening to whether or not they flow naturally. There’s also a problem throughout the story of the stakes involved. They never seemed high enough, which weakens the drama. What are the consequences of Kenny not graduating for another six months? Yeah, it sucks, but a whole lot of students don’t graduate on time, and life works out. He needs to have a strong emotional reason - gaining his father’s respect, winning true love, something powerful, something meaningful for Kenny, whatever that might be. Along with higher stakes for accomplishing his goals, there needs to be higher risks if he fails. In fact, there needs to be more risk for all the characters, and the risks need to escalate throughout the film. As it is now, it’s difficult for the audience to truly care about their situation and whether or not their porno succeeds. (I’d argue that the first “Revenge of the Nerds” was a much better movie than its sequels largely because in the first one the two main characters were fighting for one’s father’s respect, and the other’s first true love; in the sequel, they were fighting for an inter-fraternity competition.) If Kenny’s emotional life hangs in the balance between succeeding and failing, then we have a reason to root for him to succeed. The script, as it is now, would make a cute movie, but it could be much more.

Pretty good notes. I disagree slightly on their take of Grace; at that point in the script she has sorta lost all hope, and the point was that although she was a prude she was a closet pothead. Their main concern was with the "stakes." I agree with them to a point, although in the script I did make several mentions of a huge job opportunity for Kenny upon graduating, but if they're mentioning it as a negative then I should make that clearer.

As for Writers On The Storm - Good contest, cheap entry (like Bluecat, it was $35) and they give feedback (not as in depth, but it's nice to hear ANY notes on your screenplay. They did mention that they had 907 entries, and that 210 made the quarter-finals, and that mine came in at 250. Not too shabby.

"A well-written, entertaining script. the dialogue is sharp and many of the scenes have a good amount of conflict. The tension is good throughout most of the script, but some of the structure is off. Overall, it was a fun read. Good effort and good luck." Their scoring came down to checkmarks in the GOOD categories for Premise, Characters, and Dialogue, and SO-SO for Structure.

Well, they were right about the structure, but the script was never your typical 3-act Syd Field blueprint, and that was on purpose. But that's also the reason why when Prospect Pictures decided to take it on, they said it makes a better TV series than a feature, and since I started developing it with them as a TV pilot, I couldn't agree more!

I am awaiting Cricket Hill Bluecat feedback, and when I get that I'll post that, too.

Okay, I'm done. I'm hoping to catch Pirates 2 this weekend with the wife, and it's my B-day on Sat! Go on, say it!

Des Serpents!!!

It's coming soon, gang! Best movie of the year? Well, no. Will it make a lot of $$? Well, maybe not. I picture opening big for an action flick (no more than 25 million, I bet it makes 18-20 in it's opening weekend), then it'll fall off quickly and make about 60 million total, maybe 80 if it has any legs. But, it will likely be HUGE on DVD.

They're murmuring that Pirates 2 might beat the all-time opening weekend gross. I think it's possible. It looks great and will wipe all the other movies out this weekend. My $350 million estimate may be way off, it might do north of 400 million. Dang!

FeedMeBack

BlueCat feedback will be posted on my site, they said it should be e-mailed by 7/15. I'll include every word, except anything negative. Oh, stop, I'm joking.

The first act of Cricket Hill TV Pilot is locked down, now I'm working on Acts 2 & 3, as well as a re-write of my feature script, FOOD FIGHT. Once FF is done, my manager will take it out, sell it, and I'll retire.

After I wake up, I'll then finish my high-concept idea (co-story by credit goes to my bro-in-law, Ken!) called The Stand-In. It's an idea so good, so high concept, that I dare not announce it yet! It's good! Also working on 3 other high concept comedies, 2 awesome ones coming from my wife's mind (She's good! Her first idea she ever had scored us an option back in 1998!). My manager will be pushing me as a high concept comedy dude, so it'll be a long (but fun) summer of getting these scripts done.

Haven't seen Superdude yet, we only see a handful of movies per year due to children and a lack of decent babysitting, so it may have to wait. however, I WILL SEE Pirates 2 in the theater, dammit!

I hope NJ will open back up again soon. Quite a sad statement when your state has to close (even the beaches?!?!?! What the f***!). Oh, that was FUCK for those who couldn't read asterisk.

Cranked!

Check this poster out - It's for a movie called CRANK, which sounds like a sorta update of an underrated Dennis Quaid movie from a ways back called DOA. In this, a man (Jason Stratham) has been injected with a poison that will kill him in 1 hour unless he's constantly stimulated by adrenaline (think kick ass action stuff, yeah!) as he tried to track down the bad guys. Nice!

Well, Superman is kicking butt. Not kicking ass, but I'd say more of a butt. It did 21 million on Weds (Spidey 2 made 40.4 million on its opening day) and Supes did 11 million on Thursday (down a larger percentage that War Of the Worlds) and is estimated to hit about 90 million for 5 days. The main thing will be how it holds up, espcially with the juggernaut of Pirates of the Johnny Deppster approaching, although I'm wondering if some people will be turned off since Pirates 2 ends with a sorta cliffhanger (Pirates 3 is next summer). I doubt it, I think Pirates will still rake it in.

3 !

Can't wait until May, 2007!

My Box Office Estimates - An update!

Back in March, I posted about what the summer box office might look like. Let's see how I'm doing thus far.......

I've got Superman at 480 million. (chuckles). Well, maybe that's high, although the movie looks great and like I said then, if it turns out to be great, and something the kids can get into also, then maybe I'm NOT so crazy.

Pirates 2 - I guessed 375 million. I stand by that 100%. People love the Depp as Cap'n Jack, and rightly so, he owns it, makes people laugh, and so on. This is the only movie that could put a beat down on Supes. If I'm wrong it'll be because I didn't estimate enough.

Cars - Cool movie, I liked it a lot. Some amazing animation here. But it ain't gonna hit 350 million, which was my guess, it might be more like 240-250 million. I thought it might a few months back, but now I realize that although kids will flock to it, not too so many GIRLS will flock to it, mostly boys who think race cars are cool (and their Dad's who KNOW race cars are cool). It's actually a great family movie.

DaVinci - I'm sorry, I assumed it was actually going to be a good movie. I was so bored I couldn't even fall asleep. It just barely squeaked by 200 million so my 275 estimate ain't gonna happen. And it doesn't deserve it either.....on a Ron Howard side note, just (finally) caught Cinderella Man - Great movie, Crowe was awesome, loved everything about it. By the way, maybe I'm too tough on DaVinci, it had some good moments, like when the rear view mirror broke!

MI:3 - I said 240, it's hovering around 130 and will stop around there. Why? It deserves at least 250, and it's a shame. Well, it's Cruiseball's fault for shoving his dopey opinions in the world's face, but he still made a KICK ASS movie.

X-3 - I was damn close - I estimated 230, it's now at 225 after making 4.4 million this weekend, so I'll be a little off, but pretty close!

Poseiden - I estimated 200 million - Oops!

Over Da Hedge - I guessed 180-190, which as it turns out will be a little high, it's now a bit over 140 and pretty much done.

Click - I've got it at 175, it just made 40 million as it's opening, it should kick ass through the 4th weekend. Depends how it'll hold up. Too early to tell.

The Break-Up - I pegged it at 150. It just went by 100 mil, but it's losing steam so my guess will be too high.

The Fast and REALY Furious 3 - I thought 80. It won't make 80.

Nacho - I said 80 million, and it appears that I was dead-on. Experts are guessing it'll end around 75-80.

The Omen - I guessed 80, it's at 60 and dropping like Julia Styles career, so that estimate will be high.

Everything else on the list has yet to open, so I'll have to throw down an update in about a month.

Cricket Hill & Food Fight!

Pic is from Pretty Persuasion, directed by Marcos Siega, produced by Prospect Pictures.

I'm in the process of "locking down" act 1 of the Cricket Hill TV series pilot. Once I finish this post, I plan on wrapping it up and e-mailing it over to Prospect Pictures. I've got all the notes I need from them, they are really awesome regarding making notes, etc, about everything.Every change I've made has made the project 1000% better. Then we'll write Acts 2 & 3 into stone and we'll be good to go. It's been going very smoothly and I've loved every moment of this experience.

Also just finished my Food Fight! draft (feature). It went over very well, just a bit of tweaking of Act 3 and we're going to send it on out into the world. My manager has been kicking ass with this one; he's already talked about it with a ton of people in the indusrty and they are eagerly awaiting it. The plan is to take it out and attach a few actors/a director. He's aiming at a Jack Black/Luke or Owen Wilson/Ryan Reynolds/Vince Vaughn/Will Ferrell - you get the point, it's got two male leads, so some sort of cool, fun combo will really make it kick ass. Jason Bateman (not a huge name, but a great actor with a kick-ass sarcastic/paranoid/neurotic/hilarious demeanor would also be perfect for one of the roles.

Song of the day - Mason Jennings - BE HERE NOW.

Updates, Etc....

That's the poster for the upcoming Gondry movie, the Science Of Sleep. I wish all posters at least TRIED to do something creative and different like this one. Great poster.

Here's an update.

Working on the final touches of the Cricket Hill script. We're in the "locking down scenes" phase now. It's looking good.


Caught up with some movies:

X-Men - Eh. Liked the concept, but way too short to have that many characters. Why the hell is Angel on ANY posters? He's in it for 2 minutes! He doesn't even warrant his own flashback! And how do you kill off a major character, off-screen no less, and have pretty much NO reaction to it from any of the characters?? I like Beast, and Grammer was good.

DaVinci - Eh. It was long, it felt long, and for such a fascinating subject/plot, was very uneventful. I felt every minute of it.

MI:3 - Easily the best of the summer thus far, best of the year so far is United 93.

Over The Hedge/Cars - Both are fun, smart, and damn cute, and both create excellent visuals in their worlds. Great stuff all around. The end credits of Cars was especially well done.

On DVD:
Underwhelmed 2. Oh, I mean Underworld 2. Boring as shit. Took 2 nights to watch it. It sucked. 1st was was pretty tedius, and redundant, as well as redundant, but I actually liked the 1st one better. Not much, mind you. These movies are a WASTE of an excellent idea (werewolf/vampire war? How freakin' cool is that?!). Yet, for most of their battles, they just shoot at each other.

Fun With Dick & Jane - I loved the hell out of this, and that surprised me. Jim Carrey owned it, and Tea Leoni rocked hard as well. I just liked it's fun, lightweight feel, and there were some terrific set-pieces. The whole immigrant/Mexico/busted mouth/"Hola" sequence was amazing. Alec Baldwin was good as usual.

Date Movie - Had some good laughs but ran out of steam pretty fast.

On TV:
Big Love finale kicked ass. Entourage is back and it looks like it'll be a great season. Also, looking forward to Psyche and I'm also digging The 4400.

Music - Snow Patrol's album is great. Also, check out Gnarles Barkley, Editors, and Mason Jennings.

Batman, Lois & Supes!

How's Routh gonna do as Superman?

An Auteur Walks Into A Bar And Says.........

Hearing some of the news coming out of Cannes regarding Richard Kelly's SOUTHLAND TALES inspired this post. It's about directors (and writer/directors) who really need someone over their shoulder, helping guide them sometimes.

Because sometimes, well, many times, they'd make a much better movie if only they listened to other opinions.

Look, I don't know if Southland sucks or not, who knows, it might blow me away. But EVERY review has been horrible, so it doesn't look good for it. Even Richard Kelly was quoted to say something like "I'm not sure what we're going to do........" Not a good sign.

You see, these guys are given too much rope, and often hang themselves with it. Here's some good and bad examples:

Richard Kelly - He did Donnie Darko, which I liked. Not loved. Mainly because of his music choices, when you think about it, that movie loses a ton of power at the end if you take away the cover of Tears For Fears "Mad World." But regardless, it's a great debut. Apparently, he's dropped the ball on Southland. We'll see.

Terrence Malick - Didn't see the New World yet, but I'm mainly referring to Thin Red Line. It was a good movie, but wildly overrated by some. If you take out 40 minutes of gibberish you'd have a kick-ass movie. And I'm not talking about action scenes. Jarhead didn't have much "action" but I was enthralled by it. No, I'm talking about the gibberish while we see a 10 minute shot of morning dew....and then a lady bug walks by! Dude, this is a war movie, and the grunts you are portraying aren't staring off into the dense foilage thinking "Where's the light within." No, they're thinking "I hope I get out of these fucking woods alive without an assful of malaria."

Quentin Tarantino - Did we really need two movies (3+ hours) of Kill Bill? Hell, no. He's pissing away his talent on that crap. Did it have some cool sequences and kick-ass fights? Sure, but c'mon. We didn't need two movies. Saw Jackie Brown the other night on HBO again, good damn movie. Somebody should've pulled him aside and said "Dude, make one kick-ass 2 hour movie and move on."

Peter Jackson - I loved King Kong. But it was too damn long. There was no reason to make that movie 3 hours long. Again, Kong as a 2 hour flick would kick major ass, we simply didn't need to know that much about old NY and who really cares that her play is shutting down. Snooze, bring on the monkey!

Georgie Lucas - I've ranted about this one too many times, so I won't get into it too much. He's a master of production & F/X, I just wish he had let someone else write and direct the prequels. They're your babies George? Sure, ok, crackhead mothers have babies, too, and they aren't the best mothers in the world.

Cameron Crowe - Elizabethtown - nice idea for a movie, but it seems like something some low-budget indie kid from Mumblefuck USA might make. Nothing wrong with making a personal story, but at least make it interesting.

Some good examples:

PT Anderson - Magnolia walks the line, but I was blown away by it, and with Hard 8 & Boogie Nights also under his belt, this dude knows what he's doing. Punch-Drunk Love is terrific in my book.

Wes Anderson - his Amex commercial reminds me of why I like him. He could have made The Life Aquatic 3 hours long I'm sure. But he didn't. And while it was no Royal Tennenbaums or Rushmore or even Bottle Rocket, well, his other movies are Royal Tennebaums, Rushmore & Bottle Rocket, and The Life Aquatic makes a fine addition.

Marty - Gangs of NY walks the line, too, but it's got a lot of story to tell. Unfortunately, most of that story is a pretty lame revenge tale, but it's still a fascinating film, and Daniel Day-Lewis absolutely blows my mind in that one. The Aviator wasn't my cup of tea, but it seems like he's back on track with The Departed.

Jimmy Cameron - Yeah, Titanic was long, but at least it didn't take 2 hours to get onto it, you were on it from the beginning. Plus much of it is brilliant filmmaking. He's sure taking his time with his next feature film follow-up though, hopefully it'll be worth the wait.


Look, all of these guys are great filmmakers, don't get me wrong. But sometimes, they're not right, and maybe during the writing phase (like Richard Kelly or QT) someone should have torn apart their scripts instead of just nodding their heads screaming "brilliant!"

Any other examples?